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    电影 奥莉维娅

    奥莉维娅

    The Pit of Loneliness 孤独的深渊

    影片信息
    • 片名：奥莉维娅
    • 状态：HD中字
    • 主演：Marie-Claire/Olivia/Yvonne/de/Bray/
    • 导演：Jacqueline/Audry/
    • 年份：1951
    • 地区：法国
    • 类型：剧情/
    • 时长：内详
    • 上映：1951-04-27
    • 语言：法语
    • 更新：2025-09-19 02:20
    • 简介：大概是法国第一部描写女同志的故事片吧。　　Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.　　French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
    1951/法国/剧情 /1951-04-27上映/法语/
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    剧情简介

    星辰影视(www.billingtrip.com)为您提供《奥莉维娅》简介：大概是法国第一部描写女同志的故事片吧。　　Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.　　French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

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