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欧洲的某个地方 HD中字3.0

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欧洲的某个地方
片名：欧洲的某个地方
状态：HD中字
主演：Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
导演：Radványi/Géza/
年份：1948
地区：其它
类型：剧情/
时长：内详
上映：1948-11-19
语言：其它
更新：2025-09-19 02:02
简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

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欧洲的某个地方

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欧洲的某个地方

3.0 Somewhere in Europe/

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安娜和布鲁诺

8.0 Galia Mayer/西尔维里奥·帕拉舍斯/玛丽娜·德·塔维拉/达米安·阿尔卡扎/Héctor Bonilla/Daniel Carrera/Regina Orozco/Álvaro Guerrero/毛里齐奥·艾萨克/Carlos Cobos/Alejandro Villeli/索菲娅·阿尔瓦雷斯/Arturo Reyes/Héctor Lee/诺玛·安吉里卡/
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为全人类第一季

9.0 太空骄子(港)/太空使命(台)/为了全人类/
全5集

九月的早晨

3.0 卡林·特莱斯/托马斯·阿基诺/克莱比亚·索萨/Gero·Camilo·Gero·Camilo/Elisa·Lucinda·Elisa·Lucinda/Paulo·Miklos·Paulo·Miklos/
豆瓣高分

全10集

更美好的事第二季

2.0 演员阿姨的自我修养/
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露营

9.0 大卫·田纳特/詹妮弗·加纳/朱丽叶特·刘易斯/邓肯·乔伊纳/艾农·斯凯/布伦特·吉尔曼/加妮克扎·布拉沃/Arturo·del·Puerto/Cheyenne·Haynes/
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死者无伤

1.0 历劫蔷薇(港)/
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悸动

3.0 爱之彩/赛场恋歌/心烦意乱/Love in Color/
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奥林匹斯地狱

8.0 波琳娜·菲洛尼科/Henry/David/萨比娜·阿赫梅多娃/Piter/Elad/阿德古尔·哲尼亚/Martin/Cook/Artur/Gurgenyan/Anatoliy/Fokht/
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无畏一千勇士

6.0 别里克·艾特占诺夫/多斯卡汗·索沙季诺夫/苏赫·阿里温边巴/阿斯尔汗·托列波夫/阿彦·乌特普波根/库拉莱·安娜尔别科娃/Tlektes·Meiramov/阿丽娅·阿努瓦尔别克·特列巴里索娃/Toleubek·Aralbai/爱德华·安达尔/Nurlan·Alimzhan/Dauren·Sergazin/Artur·Tolepov/Aidos·Akmyrzayev/Meirzhan·Beissenbekov/Tungyshpai·Al-Tarazi/博拉特·阿迪尔马诺夫/Azat·Bazarkeldi/Ye/
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奏冥曲

4.0 咒冥曲(台)/
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铁血一千勇士

1.0 别里克·艾特占诺夫/多斯卡汗·索沙季诺夫/苏赫·阿里温边巴/阿斯尔汗·托列波夫/阿彦·乌特普波根/库拉莱·安娜尔别科娃/Tlektes·Meiramov/阿丽娅·阿努瓦尔别克·特列巴里索娃/Toleubek·Aralbai/爱德华·安达尔/Nurlan·Alimzhan/Dauren·Sergazin/Artur·Tolepov/Aidos·Akmyrzayev/Meirzhan·Beissenbekov/Tungyshpai·Al-Tarazi/博拉特·阿迪尔马诺夫/Azat·Bazarkeldi/Ye/
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克朗代克

4.0 Klondike/

欧洲的某个地方 HD中字3.0

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欧洲的某个地方 HD中字3.0 3.0 网友评分 很差 较差 还行 推荐 力荐 豆7.4 261次评分 给影片打分 《欧洲的某个地方》 很差 较差 还行 推荐 力荐 我也要给影片打分

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相关影片

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欧洲的某个地方 HD中字3.0

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